#Harmony assistant metric modulation serial#

Deceptive Resolutions of Secondary Dominant Chords.Review of the Standard Deceptive Resolutions of V7.Lesson 5: Deceptive Resolutions of the Dominant 7th Chord Assignment 4: Exotic Scales Composition.Assignment 3: Lydian and Mixolydian Modes Composition.Review: Sixteenth Note Syncopation Notational Practice.Assignment 2: Phrygian and Dorian Modes Composition.Minor Modes in Early Twentieth Century Classical Music.Minor Modes in Medieval, Renaissance, and Early Baroque music.Assignment 1: “Buster and Billie” Composition Film Clip.Rhythm Jam 1: A Review of Rhythmic Grooves in Indian, African, and Latin Music.Review of Classical/Contemporary Harmonic Analysis Techniques.Review: Approach Tones in Jazz and Popular Music.Review, Non-Chord Tones: A Review of Non-Chord Tones in Triadically Based Music.This Over That-Revisited: A Review of Polychord Voicings.

Recognize and differentiate the musical elements various styles of world music.

Understand and apply the process for re-harmonizing a given melody in both contemporary and classical styles.

#Harmony assistant metric modulation serial#

Identify and apply advanced harmony concepts of non-tertian voicings, hybrids and Inversions, polytonal harmony, musical parallelism, and serial technique.Differentiate and analyze alternative progressions that include deceptive resolutions of the Dominant 7th chord and symmetrical divisions of the octave.Identify and apply advanced scales types of Lydian augmented, Lydian b7, Spanish Phrygian, Super Locrian of contemporary music and the whole tone and octatonic scale in classical music.Identify and apply advanced rhythmic and melodic concepts of nested tuplets, Fibonacci Series, metric modulation, hemiola, and Jahlas.Identify and apply minor and major modal melodic writing concepts with contemporary and classical approaches.Each week there will be a composition assignment, including many which will give you the opportunity to practice writing to short film cues.īy the end of the course, you will be able to: Included in each topic are a number of activities and exercises designed to help you more thoroughly experience and understand the material presented. Through forum questions you and your classmates will engage in discussions about musical creativity, craft, and inspiration.Įach week you will be asked to engage with your classmates and instructor as you work your way through the topics. Music Theory and Composition 4 also features a topic called 'Rhythm Jam' that will introduce you to many new and exciting rhythmic concepts such as nested tuplets, the Fibonacci series, metric modulation, hemiola, phase, Jahlas, and additive rhythm. We will also continue the unique feature of blending and exploring both traditional and contemporary harmony in order to give you a historical understanding of current topics. We will review the rhythmic elements of Indian, Latin American, and African music and delve into the musical intricacies of the music of Indonesia, China, Japan, and Korea. This music composition course is designed to take you from a strong review of level 3 topics-the standard deceptive resolutions of V7, classical and contemporary analysis techniques, polychord voicings, non-chord tones, approach tones, and approach tone harmonization-to topics like deceptive resolutions of dominant function harmony, contiguous dominant patterns, modal melody and harmony, hybrid voicings, quartal and quintal harmony, exotic scales, 12-tone technique, minimalism and other important twentieth century compositional techniques. You will further expand your knowledge of harmony and melody and expand your knowledge of scales, chords, and rhythms. You will learn more about the essential elements of music theory and composition that will help you build your own musical language. Interdisciplinary Music Studies (Create Your Own Major).Music Composition for Film, TV, and Games.Electronic Music Production and Sound Design.Music Theory, Harmony, and Ear Training.